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A painting has been saved for the UK in recognition of its “outstanding significance” for the study of race and gender in 17th-century Britain, it will be announced on Friday.
The anonymous artist’s portrait of two women – one black and one white, depicted as companions and equals with similar dress, hair and jewellery – has been bought by Compton Verney, an award-winning gallery in Warwickshire.
Titled Allegorical Painting of Two Ladies, the work, part of the English school dating to about 1650, appears to be a moralising picture, criticising the use of cosmetics in altering a person’s natural appearance.
Their faces are covered in curious beauty patches that were fashionable at the time and which the painting’s inscription condemns as a sin of pride, a widespread opinion in the 17th century.
Wearers of such patches or spots – made of silk or velvet – risked provoking the wrath of God. Part of the purpose of the patches was to hide imperfections or signs of disease. The white sitter wears black patches of various shapes and the black sitter has white ones.
www.theguardian.com
The anonymous artist’s portrait of two women – one black and one white, depicted as companions and equals with similar dress, hair and jewellery – has been bought by Compton Verney, an award-winning gallery in Warwickshire.
Titled Allegorical Painting of Two Ladies, the work, part of the English school dating to about 1650, appears to be a moralising picture, criticising the use of cosmetics in altering a person’s natural appearance.
Their faces are covered in curious beauty patches that were fashionable at the time and which the painting’s inscription condemns as a sin of pride, a widespread opinion in the 17th century.
Wearers of such patches or spots – made of silk or velvet – risked provoking the wrath of God. Part of the purpose of the patches was to hide imperfections or signs of disease. The white sitter wears black patches of various shapes and the black sitter has white ones.
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